The Life of W. B. Yeats (Wiley Blackwell Critical Biographies)
Terence Brown (Author)
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Yeats, William Butler
Autobiographies consists of six autobiographical works that William Butler Yeats published together in the mid-1930s to form a single, extraordinary memoir of the first fifty-eight years of his life, from his earliest memories of childhood to winning the Nobel Prize for Literature. This volume provides a vivid series of personal accounts of a wide range of figures, and it describes Yeats's work as poet and playwright, as a founder of Dublin's famed Abbey Theatre, his involvement with Irish nationalism, and his fascination with occultism and visions. This book is most compelling as Yeats's own account of the growth of his poetic imagination. Yeats thought that a poet leads a life of allegory, and that his works are comments upon it. Autobiographies enacts his ruling belief in the connections and coherence between the life that he led and the works that he wrote. It is a vision of personal history as art, and so it is the one truly essential companion to his poems and plays.
Edited by William H. O'Donnell and Douglas N. Archibald, this volume is available for the first time with invaluable explanatory notes and includes previously unpublished passages from candidly explicit first drafts.
One of the most influential figures of the twentieth century, William Butler Yeats (1865-1939) is among the greatest poets to have written in the English language. He was a multi-talented writer, fascinated by the occult, an important dramatist, critic and autobiographer, with a career extending over more than fifty years. Professor Jeffares investigates the relationship between Yeats's life and his work. He considers the crucial moments as well as the famous relationships that changed Yeats's destiny. A founder of the Abbey Theatre, Dublin, Yeats was also a Senator of the Irish Free State. His life has provided a remarkably rich and varied canvas for this timeless biography.
Half a century ago, Norman Jeffares wrote the definitive biography of W.B. Yeats, which was subsequently published in a revised edition in 1990 to commemorate the fiftieth anniversary of the poet's death. The present volume, a re-issue of the 1990 edition with a new introduction and bibliography, is an account of Yeats's life and work, together with a fascinating collection of letters, photographs and poetry.
Book by Yeats, William Butler
The first volume in Roy Foster's magisterial biography of W.B. Yeats was hailed as "a work of huge significance" (The Atlantic Monthly) and "a stupendous historiographical feat" (Irish Sunday Independent). Now, the eagerly awaited second volume explores the complex poetic, political, and personal intricacies of Yeats's dramatic final decades, a period that saw the Easter Rebellion, the founding of the Irish state in 1922, and the production of Yeats's greatest masterpieces.
In the conclusion of this first fully authorized biography, Foster brilliantly illuminates the circumstances--the rich internal and external experiences--that shaped the great poetry of Yeats's later years: "The Wild Swans at Coole," "Sailing to Byzantium," "The Tower," "The Circus Animals Desertion," "Under Ben Bulben," and many others. Yeats's pursuit of Irish nationalism and an independent Irish culture, his continued search for supernatural truths through occult experimentation, his extraordinary marriage, a series of tempestuous love affairs, and his lingering obsession with Maud Gonne are all explored here with a nuance and awareness rare in literary biography. Foster gives us the very texture of Yeats's life and thought, revealing the many ways he made poetry out of the "quarrel" with himself and the upheaval around him. But this consummate biography also shows that Yeats was much more than simply a lyric poet and examines in great detail Yeats's non-poetic work--his essays, plays, polemics, and memoirs. The enormous and varied circle of Yeats's friends, lovers, family, collaborators and antagonists inhabit and enrich a personal world of astounding energy, artistic commitment and verve; while the poet himself is shown returning again and again to his governing preoccupations, sex and death.
Based on complete and unprecedented access to Yeats's papers and written with extraordinary grace and insight, W.B. Yeats, A Life offers the fullest portrait yet of the private and public life of one of the twentieth century's greatest poets.
The first volume in Roy Foster's magisterial biography of W.B. Yeats was hailed as "a work of huge significance" (The Atlantic Monthly) and "a stupendous historiographical feat" (Irish Sunday Independent). Now, the eagerly awaited second volume explores the complex poetic, political, and personal intricacies of Yeats's dramatic final decades, a period that saw the Easter Rebellion, the founding of the Irish state in 1922, and the production of Yeats's greatest masterpieces.
In the conclusion of this first fully authorized biography, Foster brilliantly illuminates the circumstances--the rich internal and external experiences--that shaped the great poetry of Yeats's later years: "The Wild Swans at Coole," "Sailing to Byzantium," "The Tower," "The Circus Animals Desertion," "Under Ben Bulben," and many others. Yeats's pursuit of Irish nationalism and an independent Irish culture, his continued search for supernatural truths through occult experimentation, his extraordinary marriage, a series of tempestuous love affairs, and his lingering obsession with Maud Gonne are all explored here with a nuance and awareness rare in literary biography. Foster gives us the very texture of Yeats's life and thought, revealing the many ways he made poetry out of the "quarrel" with himself and the upheaval around him. But this consummate biography also shows that Yeats was much more than simply a lyric poet and examines in great detail Yeats's non-poetic work--his essays, plays, polemics, and memoirs. The enormous and varied circle of Yeats's friends, lovers, family, collaborators and antagonists inhabit and enrich a personal world of astounding energy, artistic commitment and verve; while the poet himself is shown returning again and again to his governing preoccupations, sex and death.
Based on complete and unprecedented access to Yeats's papers and written with extraordinary grace and insight, W.B. Yeats, A Life offers the fullest portrait yet of the private and public life of one of the twentieth century's greatest poets.
William Butler Yeats has cast his long shadow over the history of both modern poetry and modern Ireland for so long that his preeminence is taken for granted. Now, in the first authorized biography of Yeats to appear in over fifty years, leading Irish historian R.F. Foster travels beyond Yeats's towering image as arguably the century's greatest poet to restore a real sense of Yeats's extraordinary life as Yeats himself experienced it--what he saw, what he did, the passions and the petty squabbles that consumed him, and his alchemical ability to transmute the events of his crowded and contradictory life into enduring art.
In the first volume of this long-awaited biography, Foster covers the poet's first fifty years, bringing new light to bear on Yeats's heroic and often ruthless efforts to invent himself as a poet and public figure. Drawn from a fascinating archive of personal and contemporary documents with the cooperation of surviving members of the Yeats family, it dramatically alters long-held assumptions about the poet's background, his relationship with Maud Gonne and other women, and his roles in the great cultural and political upheavals that transformed Ireland in his lifetime. A rich and entertaining account of Yeats's boyhood days amidst the talented but troubled members of the Yeats and Pollexfen clans provides important insight into the poet's deep and lifelong connection to the Irish landscape, his early, impassioned embrace of the nationalist cause, and his later retreat to the traditions of the once grand Protestant aristocracy. In his own day Yeats attracted enemies and admirers with equal passion, and Foster vividly recreates the friendships, love affairs, and simmering rivalries that swirled about the poet's circles in London, Dublin, and Coole Park. Complementing his meticulous scholarship with a shrewd wit and a novelist's eye for detail, he chronicles the romantic disappointments, financial difficulties, experimentation with hashish and mescal, and the growing preoccupation with the occult that prefaced Yeats's attempt to unite Irish politics with high culture and his creation of an Irish national theater. Here are the poet's memorable encounters with many of the most interesting people of his time, including Oscar Wilde, George Bernard Shaw, Lady Gregory, J.M. Synge, Ezra Pound, James Joyce, and the wildly diverse leaders of the Irish independence movement. And here at last is a full accounting of the complex bond between Yeats and the incomparable Maud Gonne, revealed as an influence eternally recreated 'like the phoenix,' affecting almost everything he did.
Poet, playwright, mystic and revolutionary; lover, confidant, and friend. This brilliant account of the public and private lives of William Butler Yeats illuminates not only the wellspring of his artistic vision, but the modern Irish identity he helped to create. It is essential reading for anyone intrigued by one of the most original and influential voices of the twentieth century.
One of the most influential figures of the twentieth century, William Butler Yeats (1865-1939) is among the greatest poets to have written in the English language. He was a multi-talented writer, fascinated by the occult, an important dramatist, critic and autobiographer, with a career extending over more than fifty years. Professor Jeffares investigates the relationship between Yeats's life and his work. He considers the crucial moments as well as the famous relationships that changed Yeats's destiny. A founder of the Abbey Theatre, Dublin, Yeats was also a Senator of the Irish Free State. His life has provided a remarkably rich and varied canvas for this timeless biography.
The Collected Works of W. B. Yeats, Volume III: Autobiographies is part of the fourteen-volume series overseen by eminent Yeats scholars Richard J. Finnerah and George Mills Harper. The series includes virtually all of the Nobel laureate's published work, with authoritative and explanatory notes.Autobiographies consists of six autobiographical works -- Reveries Over Childhood and Youth, The Trembling of the Veil, Dramatis Personae, Estrangement, The Death of Synge, and The Bounty of Sweden -- that William Butler Yeats published together in the mid-1930s to form a single, extraordinary memoir of the first fifty-eight years of his life, from his earliest memories of childhood to winning the Nobel Prize for Literature. This volume provides a vivid series of personal accounts of a wide range of figures, and it describes Yeats's work as poet and playwright, as a founder of Dublin's famed Abbey Theatre, his involvement with Irish nationalism, and his fascination with occultism and visions. This book is most compelling as Yeats's own account of the growth of his poetic imagination. Yeats thought that a poet leads a life of allegory, and that his works are comments upon it. Autobiographies enacts his ruling belief in the connections and coherence between the life that he led and the works that he wrote. It is a vision of personal history as art, and so it is the one truly essential companion to his poems and plays.Edited by William H. O'Donnell and Douglas N. Archibald, this volume is available for the first time with invaluable explanatory notes and includes previously unpublished passages from candidly explicit first drafts.
Autobiographies consists of six autobiographical works that William Butler Yeats published together in the mid-1930s to form a single, extraordinary memoir of the first fifty-eight years of his life, from his earliest memories of childhood to winning the Nobel Prize for Literature. This volume provides a vivid series of personal accounts of a wide range of figures, and it describes Yeats's work as poet and playwright, as a founder of Dublin's famed Abbey Theatre, his involvement with Irish nationalism, and his fascination with occultism and visions. This book is most compelling as Yeats's own account of the growth of his poetic imagination. Yeats thought that a poet leads a life of allegory, and that his works are comments upon it. Autobiographies enacts his ruling belief in the connections and coherence between the life that he led and the works that he wrote. It is a vision of personal history as art, and so it is the one truly essential companion to his poems and plays.
Edited by William H. O'Donnell and Douglas N. Archibald, this volume is available for the first time with invaluable explanatory notes and includes previously unpublished passages from candidly explicit first drafts.
W. B. Yeats is widely regarded as the greatest English-language poet of the twentieth century. This new critical biography seeks to tell the story of his life as it unfolded in the various contexts in which Yeats worked as an artist and as public figure.
Dubliner William Butler Yeats (1865-1939) is one of the greatest English-language poets of the 20th century. His moving work is distinguished from other verse of the period by their use of Irish Mythology. This strong sense of belonging to the culture of his native land remained with him throughout his life.
Brenda Maddox, the award-winning, world-renowned biographer, looks at one of the towering literary figures of the twentieth century, W.B. Yeats, through the lens of the Automatic Script, the trancelike communication with supposed spirits that he and his much younger wife, George, conducted during the early years of their marriage. The full transcript of this intense occult adventure was not available until 1992 and remains virtually untouched by biographers. The vision papers covered more than 3,600 pages of writing, symbols and obsure diagrams penned by Yeats's wife during their 450 sitting of automatic writing. Maddox finds the scripts to have been a ghostly form of family planning--as well as one of the most ingenious ploys ever used by a wife to take her husband's mind off another woman. This revealing biography flashed back to Yeats's early years (1865-1900), to the least-examined important woman in his life: his silent, dreamy mother, whose Irish ghost stories steered him into his occultist path. The book then returns to the mature Yeats, to analyze, with new information and a sharp feminine perspective, his public career in Ireland, his sexual rejuvenation operation and his obsession with several younger women--and related them all the triumph of his late poetry. While much has been written about Yeats, until now no one has managed to convey the humane nature of the man and get behind the "smiling public man" to expose the intense privacy and passions of a powerful and often misunderstood artist.
W. B. Yeats is widely regarded as the greatest English-language poet of the twentieth century. This new critical biography seeks to tell the story of his life as it unfolded in the various contexts in which Yeats worked as an artist and as public figure.