W.B. Yeats: A Life I: The Apprentice Mage, 1865-1914
R. F. Foster (Author)
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Yeats, William Butler
Autobiographies consists of six autobiographical works that William Butler Yeats published together in the mid-1930s to form a single, extraordinary memoir of the first fifty-eight years of his life, from his earliest memories of childhood to winning the Nobel Prize for Literature. This volume provides a vivid series of personal accounts of a wide range of figures, and it describes Yeats's work as poet and playwright, as a founder of Dublin's famed Abbey Theatre, his involvement with Irish nationalism, and his fascination with occultism and visions. This book is most compelling as Yeats's own account of the growth of his poetic imagination. Yeats thought that a poet leads a life of allegory, and that his works are comments upon it. Autobiographies enacts his ruling belief in the connections and coherence between the life that he led and the works that he wrote. It is a vision of personal history as art, and so it is the one truly essential companion to his poems and plays.
Edited by William H. O'Donnell and Douglas N. Archibald, this volume is available for the first time with invaluable explanatory notes and includes previously unpublished passages from candidly explicit first drafts.
In this volume, chapters are devoted to the Lady Gregory circle, to 18th-century, Anglo-Irish culture, and to each of the poet's avowed influences, Swift, Burke, Berkeley and Goldsmith. That these are not merely thesis topics is shown in the way the author relates the respective subjects to Yeats' life and work as well as to contemporary Iish politics. Exhaustive research in Irish libraries, even into the files of provincial newspapers, has brought to light fresh data on Robert Gregory, John Shaw-Taylor, and on Yeats as a public spokesman. The quality of writing is matched by excellence in book design ...one can understand in depth Yeats' aristocratic ideal, compounded of pride, impetuous disregard of prudence, service without thought of reward, taste, versatility, above all, that "sprezzatura", recklessness, which he read of in the "Courtier - the Southern Review".
A distinctive exploration of the relationships between Sligo's landscape and the life and writings of W.B. Yeats. This unique book brings the reader on an illustrated journey of the biographical, geographical, and literary references to the city and county of Sligo and the surrounding area made during the lifetime and in the works of William Butler Yeats, one of Ireland's greatest poets.
Brenda Maddox, the award-winning, world-renowned biographer, looks at one of the towering literary figures of the twentieth century, W.B. Yeats, through the lens of the Automatic Script, the trancelike communication with supposed spirits that he and his much younger wife, George, conducted during the early years of their marriage. The full transcript of this intense occult adventure was not available until 1992 and remains virtually untouched by biographers. The vision papers covered more than 3,600 pages of writing, symbols and obsure diagrams penned by Yeats's wife during their 450 sitting of automatic writing. Maddox finds the scripts to have been a ghostly form of family planning--as well as one of the most ingenious ploys ever used by a wife to take her husband's mind off another woman. This revealing biography flashed back to Yeats's early years (1865-1900), to the least-examined important woman in his life: his silent, dreamy mother, whose Irish ghost stories steered him into his occultist path. The book then returns to the mature Yeats, to analyze, with new information and a sharp feminine perspective, his public career in Ireland, his sexual rejuvenation operation and his obsession with several younger women--and related them all the triumph of his late poetry. While much has been written about Yeats, until now no one has managed to convey the humane nature of the man and get behind the "smiling public man" to expose the intense privacy and passions of a powerful and often misunderstood artist.
A Biography of William Butler Yeats focusing on his Anglo-Irish heritage.
One of the most influential figures of the twentieth century, William Butler Yeats (1865-1939) is among the greatest poets to have written in the English language. He was a multi-talented writer, fascinated by the occult, an important dramatist, critic and autobiographer, with a career extending over more than fifty years. Professor Jeffares investigates the relationship between Yeats's life and his work. He considers the crucial moments as well as the famous relationships that changed Yeats's destiny. A founder of the Abbey Theatre, Dublin, Yeats was also a Senator of the Irish Free State. His life has provided a remarkably rich and varied canvas for this timeless biography.
Half a century ago, Norman Jeffares wrote the definitive biography of W.B. Yeats, which was subsequently published in a revised edition in 1990 to commemorate the fiftieth anniversary of the poet's death. The present volume, a re-issue of the 1990 edition with a new introduction and bibliography, is an account of Yeats's life and work, together with a fascinating collection of letters, photographs and poetry.
Autobiographies consists of six autobiographical works that William Butler Yeats published together in the mid-1930s to form a single, extraordinary memoir of the first fifty-eight years of his life, from his earliest memories of childhood to winning the Nobel Prize for Literature. This volume provides a vivid series of personal accounts of a wide range of figures, and it describes Yeats's work as poet and playwright, as a founder of Dublin's famed Abbey Theatre, his involvement with Irish nationalism, and his fascination with occultism and visions. This book is most compelling as Yeats's own account of the growth of his poetic imagination. Yeats thought that a poet leads a life of allegory, and that his works are comments upon it. Autobiographies enacts his ruling belief in the connections and coherence between the life that he led and the works that he wrote. It is a vision of personal history as art, and so it is the one truly essential companion to his poems and plays.
Edited by William H. O'Donnell and Douglas N. Archibald, this volume is available for the first time with invaluable explanatory notes and includes previously unpublished passages from candidly explicit first drafts.
Seamus Heaney has described The Collected Letters as "one of the great publishing events of the decade." This volume covers a formative period (1896-1900) in Yeats's political career, and the beginning of his theatrical involvement. Letter by letter, Yeats's private concerns, artistic quarrels, and exhausting political life are revealed. Rich and readable notes provide a narrative for these years, explaining allusions, and setting the correspondence in its cultural and political contexts.
Vividly entertaining and entirely unselfconscious, these early letters of W.B. Yeats reveal the sensibility of a great literary figure. This first volume of Yeats's correspondence contains 350 letters covering the first thirty years of his life, a creative period that saw the publication of his first three books of verse, the first performance of his plays, the beginning of his relationship with Maud Gonne,,and his increasing involvement with the Irish nationalist movement. The annotation is lively and detailed and gives the full literary, social, and historical context of the letters. Also included are an introduction, a detailed chronology of the whole of Yeats's life, and a biographical appendix on his principal correspondents and others mentioned in the letters.